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After the resignation of the Head Architect Aníbal González in 1926, the new man in charge of the works at the Ibero-American Exhibition until its opening was the Castellón architect Vicente Traver y Tomás, who returned to Seville after an important previous career in the city. 

 

His most emblematic landmark was the Seville Pavilion, formed by the Casino of the Exhibition and the Municipal Theater Lope de Vega. 

 

He incorporated the central fountain of the Plaza de España and designed the artistic fence of the María Luisa Park, as well as numerous pavilions, among others those of the Navy, the Press, the MZA Company, the Machinery Pavilion, the Tourism Pavilion, The Pavilion for Agriculture Industries, the Derived Agriculture Industries, the Information Pavilion (then transformed into La Raza Restaurant), the Spanish Shipbuilding Society, and the Tobacco Rental Company.

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